![]() As Ava succinctly put it: uncertainty is really valuable, and reviewers shouldn’t underestimate that. Perhaps the play’s not asking a question, or maybe it is and there’s ten thousand different answers. As Megan put it, when you go to a nightclub and dance all night, or go to a gallery and look at a Rothko, you don’t think about those questions you try to articulate how it makes you feel (if it makes you feel anything), to reflect on your own experiences, or even forget them for an hour. Whilst this undoubtedly feeds into what a show might be trying to say, and one would expect a critic at a national paper to put a show in the context of what else is going on in theatre and the world, articulating this isn’t always the most important thing criticism does. Often critics will go into a play ready to interpret it through a particular lens, linking it to its socio-economic, political or historical context. In blog writing, where the personal perspective is central, the communication of an identity and personality through the written voice helps to demonstrate a relationship to the subject but also much bigger things like who we are and what we stand for.’ Reviews that use GIFs, intentional misspelling, swearing or even cat pics can also demonstrate critical thinking and emotional intelligence. Speaking about the eight threats to the theatre blogosphere outlined in her book, Megan shared how ‘often when people talk about quality journalism, what they mean is something that reads like something in a Sunday broadsheet. Whilst a review that’s published two weeks after a run has ended becomes less useful for potential audiences even less so for the box office, how valuable, really, is one written during a sleepless night with only the length of the Northern line home to reflect? The wonderful thing about blogs, both pointed out, is the ability they offer to go back to a piece and add to it as thoughts have a chance to settle and evolve, a freedom mainstream criticism can never encompass. ![]() With only self-imposed deadlines, bloggers can have a bit more time to get into the nitty-gritty of those particularly knotty plays.īut delaying publishing a review can cause its own problems, and Megan and Ava both addressed the inherent conflict when it comes to the purpose of a review. ![]() This, however, might not accommodate for the time needed to fully digest a show what it meant, how we feel about it, even whether we thought it was any good. Most national publications are expected to turn around reviews within twenty-four hours, with online platforms working to similarly tight deadlines. Megan and Ava both spoke about how elitist and exclusionary ideas of what makes someone an expert, usually centred around experience and education, are discouraging more people from sharing their opinions online.īut paraphrasing Megan’s quoting of long-standing writer and critic Maddy Costa, all you need to write a review is lived experience. Whether it’s the fear that someone may, one day, unearth the self-aggrandising naïve views you held as a self-aggrandising naïve twenty-one-year-old, or the opposite: that no one will look at it at all. When reflecting on her beginnings as a blogger, Megan noted that the vulnerability associated with putting a piece of yourself on the internet, where it will remain forever, can sometimes acts as a barrier.
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